Paragraphing


Applying Paragraphing Techniques in Your Fiction

We’ve been looking at paragraphing techniques piecemeal out of necessity. But once you’re actually writing, you tend to think holistically: What preceded this moment, and what must happen next. To use a musical metaphor, how will you orchestrate your story, using all the paragraphing techniques I’ve just described? Instead of deploying all five types at once, you’ll likely be using one or two at a time, giving them double duty (for instance, using dialogue that reveals character attitudes while deepening the story’s milieu).
In George Gissing’s New Grub Street—an underappreciated (in my opinion) novel about commercial writers struggling to make a living in late-19th-century London—pay attention to the way the author orchestrates these opening paragraphs to pull the reader in.
As the Milvains sat down to breakfast the clock of Wattleborough parish church struck eight; it was 2 miles away, but the strokes were borne very distinctly on the west wind this autumn morning. Jasper, listening before he cracked an egg, remarked with cheerfulness:
“There’s a man being hanged in London at this moment.”
“Surely it isn’t necessary to let us know that,” said his sister Maud, coldly.
“And in such a tone, too!” protested his sister Dora.
“Who is it?” inquired Mrs. Milvain, looking at her son with pained forehead.
“I don’t know. It happened to catch my eye in the paper yesterday that someone was to be hanged at Newgate this morning. There’s a certain satisfaction in reflecting that it is not oneself.”
“That’s your selfish way of looking at things,” said Maud.
“Well,” returned Jasper, “seeing that the fact came into my head, what better use could I make of it? I could curse the brutality of an age that sanctioned such things; or I could grow doleful over the misery of the poor—fellow. … Things are bad with me, but not so bad as THAT.” …
He was a young man of five-and-twenty, well built, though a trifle meager, and of pale complexion. He had hair that was very nearly black, and a clean-shaven face, best described, perhaps, as of bureaucratic type. …
“A man who comes to be hanged,” pursued Jasper … “has the satisfaction of knowing that he has brought society to its last resource.” …
“Suppose we talk of something else,” suggested Dora.
Skillful paragraphing aids readability. It also sets the pace of the narrative, generates mood and helps make characters three-dimensional.

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